Saturday, March 2, 2013

[F569.Ebook] Fee Download Frenzied Fiction, by Stephen Leacock

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Frenzied Fiction, by Stephen Leacock

In many people the very name "Spy" excites a shudder of apprehension; we Spies, in fact, get quite used to being shuddered at. None of us Spies mind it at all. Whenever I enter a hotel and register myself as a Spy I am quite accustomed to see a thrill of fear run round the clerks, or clerk, behind the desk.

  • Published on: 2015-06-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .20" w x 6.00" l, .28 pounds
  • Binding: Paperback
  • 86 pages

About the Author

Award-winning Canadian humorist and writer Stephen Leacock (1869-1944) was the author of more than 50 literary works, and between 1915 and 1925 was the most popular humorist in the English-speaking world. Leacock s fictional works include classics like Sunshine Sketches of a Little Town, Arcadian Adventures with the Idle Rich, and Literary Lapses. In addition to his humor writings, Leacock was an accomplished political theorist, publishing such works as Elements of Political Science and My Discovery of the West: A Discussion of East and West in Canada, for which he won the Governor General's Award for writing in 1937. Leacock s life continues to be commemorated through the awarding of the Leacock Medal for Humour and with an annual literary festival in his hometown of Orillia, Ontario.

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Frenzied Fiction
By Amazon Customer
I love Stephen Leacock and this is another good read . -Laughing all the way!!!!!. Many topics and the usual great humor of
Stephen. Have also downloaded "Moonbeams From A larger Lunacy. " So I have much to look forward to.

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Five Stars
By Lyn
Hilarious! and I'm not even Canadian.

0 of 1 people found the following review helpful.
Bad formatting
By Viktor Nehring
Bad formatting. Just saying.

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Saturday, February 23, 2013

[H805.Ebook] Get Free Ebook The Civil War Diary of Anne S. Frobel: Of Wilton Hill in Virginia, by Anne S. Frobel

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The Civil War Diary of Anne S. Frobel: Of Wilton Hill in Virginia, by Anne S. Frobel

Even as occupying forces moved into her farmhouse in Fairfax, Virginia, Anne Frobel recorded her experience of war. An inspiring account of honor and nobility during even the darkest days, her diary covers the conflict along the Potomac and its aftermath to 1879.

  • Sales Rank: #2111043 in Books
  • Brand: Brand: EPM Publications, Inc.
  • Published on: 1992-12
  • Original language: English
  • Number of items: 1
  • Dimensions: .78" h x 5.54" w x 8.47" l,
  • Binding: Paperback
  • 320 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

3 of 4 people found the following review helpful.
Great book
By A Customer
This diary offers a very realistic view of the Civil War through a civilian's eyes who's house is taken over by forces. Anyone interested in the Civil War at all should read this wonderful book.

0 of 0 people found the following review helpful.
Five Stars
By Happy Customer
great read!

0 of 0 people found the following review helpful.
True Diary
By xyz
good history of Civil War in Rose Hill Virginia

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Saturday, February 16, 2013

[L592.Ebook] PDF Ebook Castles: Their Construction and History, by Sidney Toy

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Castles: Their Construction and History, by Sidney Toy

  • Published on: 2013-01-01
  • Binding: Unknown Binding

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Wednesday, February 6, 2013

[B829.Ebook] Fee Download The Principles of Teaching, by Sam Doherty

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The Principles of Teaching, by Sam Doherty

24 principles to help all those who want to become better teachers of children.

  • Sales Rank: #218687 in eBooks
  • Published on: 2014-01-28
  • Released on: 2014-01-28
  • Format: Kindle eBook

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Five Stars
By Jean Benoit
Thank you so much

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By bryan
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Tuesday, February 5, 2013

[B355.Ebook] Get Free Ebook The Misfit Economy: Lessons in Creativity from Pirates, Hackers, Gangsters and Other Informal Entrepreneurs, by Alexa Clay, Kyra Maya Phil

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The Misfit Economy: Lessons in Creativity from Pirates, Hackers, Gangsters and Other Informal Entrepreneurs, by Alexa Clay, Kyra Maya Phil

A book that argues that lessons in creativity, innovation, salesmanship, and entrepreneurship can come from surprising places: pirates, bootleggers, counterfeiters, hustlers, and others living and working on the margins of business and society.

Who are the greatest innovators in the world? You're probably thinking Steve Jobs, Thomas Edison, Henry Ford. The usual suspects. This book isn't about them. It's about people you've never heard of. It's about people who are just as innovative, entrepreneurial, and visionary as the Jobses, Edisons, and Fords of the world. They’re in the crowded streets of Shenzhen, the prisons of Somalia, the flooded coastal towns of Thailand. They are pirates, computer hackers, pranksters, and former gang leaders. Across the globe, diverse innovators operating in the black, grey, and informal economies are developing solutions to a myriad of challenges. Far from being "deviant entrepreneurs" that pose threats to our social and economic stability, these innovators display remarkable ingenuity, pioneering original methods and practices that we can learn from and apply to move formal markets. This book investigates the stories of underground innovation that make up the Misfit Economy. It examines the teeming genius of the underground. It asks: Who are these unknown visionaries? How do they work? How do they organize themselves? How do they catalyze innovation? And ultimately, how can you take these lessons into your own world?

  • Sales Rank: #352067 in Books
  • Brand: imusti
  • Published on: 2015-06-23
  • Released on: 2015-06-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.37" h x 1.00" w x 5.50" l, .84 pounds
  • Binding: Hardcover
  • 256 pages
Features
  • Simon Schuster

Review
“This imaginative, provocative book reveals that if we want to overcome barriers, we can find surprisingly valuable lessons underground. I never expected to learn so much about entrepreneurship and innovation from pirates and gangsters.” (Adam Grant, Wharton professor and author of GIVE AND TAKE)

"What do Somali pirates, Amish camel-milkers, and gang leaders have in common? They're all innovative—and successful—misfits in today's global economy. Think you can't learn anything from outlaws and provocateurs? This book will make you think again with engaging stories and insightful analysis of how people operating on the fringes create unique business models, and in the process transform the culture around them." (Daniel H. Pink, author of TO SELL IS HUMAN and DRIVE)

"The Misfit Economy helps us to understand the lives of those men and women who have had to depend on illegal enterprise just to get by. In this book you'll learn how the misfit economies can bring meaning to those who are hopeless, jobless, and hungry for more than a handout. You'll meet people who are just like everyone else in searching for freedom and opportunity, but aren't afraid to bend the rules of the system." (King Tone, Former Leader of the Latin Kings, a hispanic street gang)

"If you want to learn what Somali pirates have in common with Silicon Valley entrepreneurs, read this book. It's a colourful guide on how to shine a light on the ingenuity that often lies in the dark depths of all types organisations." (Rachel Botsman, co-author of What's Mine is Yours: How Collaborative Consumption is Changing the Way We Live)

“For those wanting a fresh perspective on business practices or working lives, this is a snappy introduction to a new way of thinking.” (Financial Times)

A well-paced read about a unique perspective on supply and demand and those who create it. For anyone interested in business or economics—especially those who hustle. (Library Journal)

 "Lively and insightful."—The Economist 

About the Author
Alexa Clay is a storyteller and leading expert on subculture. She is the cofounder of the League of Intrapreneurs, a movement to create change from within big business and the Founder of Wisdom Hackers, an incubator for philosophical inquiry. Alexa initiates projects through the collective The Human Agency, which aim to create communities of purpose around the world. Formerly, she was a Director at Ashoka, a global nonprofit that invests in social entrepreneurs. When not operating in the world as Alexa, you can find her playing the Amish Futurist, an alter ego bringing Socratic inquiry to the tech scene. She is a graduate of Brown University and Oxford University.

Kyra Maya Phillips is a writer and innovation strategist. She is a director of The Point People, a network based consultancy focused on innovation and systemic change. Previously, Kyra worked as a journalist for The Guardian, where she focused on environmental reporting, and at as a consultant at SustainAbility, a London based think-tank and consultancy. She grew up in Caracas, Venezuela, but is now based in London, where she lives with her husband and son. She is a graduate of The London School of Economics.

Together, Alexa and Kyra have appeared in and written for Wired Magazine, Harvard Business Review, Le Monde, The Guardian, The New York Times, Haaretz, Aeon Magazine, Fast Company, MTV, Forbes, Dazed and Confused, and National Geographic.

Excerpt. © Reprinted by permission. All rights reserved.
The Misfit Economy

INTRODUCTION
“AM I TALKING TOO MUCH?” Sam Hostetler, an Amish farmer in Miller, Missouri, asks for the third time before continuing the story of how he, an exotic-animal aficionado, started milking camels.

Hostetler was born to devout Christian parents in Tampico, Illinois, “the same town [where] Ronald Reagan was born.” When he was nine years old, his family moved to a farm in Buffalo, Missouri. His father set up a building business and became a bishop in the community church. Sam and his brothers were raised to be moral, observant, and open-minded people. He married his wife, Corlene, when he was twenty-one years old, “after knowing her forever,” he says, laughing.

When Hostetler was a small child, everybody commented on his affinity for things that lay off the beaten path. He reflects, “I don’t know. I guess I’ve always liked a challenge.” Hostetler reminisces how this love for the unusual led to his interest in exotic chickens—birds that had long tails, unlike regular chickens. When he was nine, his parents ordered twenty-five of them, and Hostetler’s lifelong interest in exotic animals was born.

Hostetler’s farming career began when he bought a few ostriches. He raised and traded them for a while, he said, then began to look for even more exotic animals. He bought hippos and rhinos—and became, as he likes to call it, an “alternative-livestock farmer.” He has been in the trade for close to thirty years.

Then one afternoon a Missouri doctor phoned, opening the call with an unusual question: “Have you ever heard of milking camels?” Even Hostetler had never heard of such a thing in the United States. The doctor said that she wanted to give one of her patients camel milk and wondered whether Hostetler knew where she could find some. “Well, I’ve been known to do some crazy things over the years, one more won’t hurt me,” Hostetler responded.

Soon after the call, Hostetler began to plot his way into the camel milking business: a business that, to his knowledge, did not exist in the United States at the time. For Hostetler, there was some appeal in creating a new income stream, but he was drawn to the camel milking business primarily “because it was different.” He started very much on a shoestring, buying a few camels, but eventually his herd grew to around thirty. He enjoys the challenge of doing something unusual, and he appears to have an affinity with the animals. He says: “I just like camels. They’re not pretty, they’re ugly, but I like them.”

DUBBED “THE WHITE GOLD OF the desert,” camel milk is seen by some as an almost mythical elixir. It has alleged medicinal qualities, particularly in its raw, unpasteurized form, with people the world over claiming that it has helped with symptoms of Crohn’s disease, autism, diabetes, Alzheimer’s, and hepatitis C. Some even profess that the milk alleviates certain symptoms of HIV/AIDS.

The milk has deep historical and religious roots. To many, it’s a spiritual experience: The prophet Muhammad allegedly ordered some of his companions to drink it as a natural remedy. Used for centuries in the Middle East by nomads and Bedouins to help sustain them through the harsh desert weather, camel milk has long been praised for its healing properties. It is said that it provides more absorbable calcium than any other kind of milk, and is easier to digest, nonallergenic, and anti-inflammatory. Parents of autistic children claim the milk helps their kids with their motor skills and digestive system. While beliefs about camel milk’s medicinal properties are widely held, most of the evidence for its effects on disorders and diseases has been anecdotal so far.

Despite being popular in Asia, the Middle East, and Africa, the commodity has been largely ignored in the United States. Only in the last five years has an embryonic market—a true misfit economy—started to develop, bringing together a diverse group of unlikely characters, including Amish farmers like Sam Hostetler.

THE DEMAND FOR CAMEL MILK has given families like Hostetler’s a steady, sustainable income. Other Amish and Mennonite farmers have joined him, buying camels when they become available and building small herds on their farms. We spoke to Marlin Troyer, another of the farmers to enter the trade. A Mennonite who lives and works in Branch, Michigan, Troyer told us how his entrance into the business let him grow his farm from ten to eighty acres in the span of four years. The demand for camel milk, he says, “allows my family and me to make the necessary payments to keep our farm steady and in working order.”

Hostetler, too, began to experience growth in demand for camel milk, leading him to establish Humpback Dairies, a private membership association through which he sells his product. Most Amish farmers in the business sell through several permutations of this model.

Raw camel milk is sold in this way because selling raw milk (as opposed to pasteurized milk) from any source (including a cow) is illegal in many states. In all cases, it is illegal to distribute raw milk across state lines. What is legal is to consume produce from livestock that you own. So Hostetler and his family, and those who buy into his livestock by joining the Humpback Dairies association, are allowed to consume the milk produced by the camel herd.

Most of Hostetler’s business arrived through referrals, by word of mouth and family recommendations. This changed when a then-twenty-three-year-old University of Southern California graduate showed up on his doorstep.

WALID ABDUL-WAHAB, A NATIVE OF Saudi Arabia, arrived in the United States in 2009 to enroll in the University of Southern California’s Marshall School of Business. Shortly after his graduation in September 2013, Abdul-Wahab became the first person to establish a camel milk retail business in the United States.

This venture has not been without its challenges, given the illegality of distributing raw camel milk across state lines, the outright illegality of raw milk in many states, and the small population of camels in the United States. However, with admirable determination, Abdul-Wahab has sought to navigate these obstacles and others (including constant scrutiny from the U.S. Food and Drug Administration) in the pursuit of his commercial goal.

The genesis of Desert Farms, Abdul-Wahab’s company, lies in a trip he took to his home country of Saudi Arabia during his sophomore year in college. His visit coincided with the traditional Muslim holiday of Ramadan, during which observers of the religion must fast every day from dawn until sunset for one month. One evening a friend approached him with what he says was a very unappetizing dripping Ziploc bag of camel milk. “It wasn’t really very attractive at the start,” he says. When Abdul-Wahab asked where he got it, his friend responded that he had traveled twenty miles into the desert and picked it up from a Bedouin.

The moment Abdul-Wahab drank the milk, he fell in love with it. A couple of days later, he came up with an idea: Bring this drink to health-conscious Californians. When a class project for an entrepreneurship course came around, he began to research the state of camel milk production in the United States. He wanted to ascertain whether a market existed.

Abdul-Wahab found that it did, though in a very small way. Only a handful of people like Sam Hostetler and Marlin Troyer owned and milked camels, and as described above, they sold it solely through cooperatives. Abdul-Wahab drew a comparison with the Dallas Buyers Club, founded by Ron Woodroof and the subject of an Oscar-nominated film in 2013. Woodroof, who was suffering from AIDS, smuggled into the United States illegal pharmaceutical drugs that he had found improved his health. Wanting to sell them to others, he and a partner established the Dallas Buyers Club, which distributed the drugs to those who wished to join and pay a monthly fee.

“It didn’t have to be like drugs,” Abdul-Wahab told us. “People believe that camel milk helps them . . . [and] if it’s helping people, we don’t want to create a black market for it.”

So he wrote a business plan in which he developed his aspirations to take the drink into the mainstream. He advertised in newspapers: “Have camels? Milk them!” He traveled all across the United States to find camel farmers. He met a few who had already been milking camels and selling their product through private membership associations. However, many camel owners were just leasing their camels ten weeks a year, for nativity scenes. Abdul-Wahab began to sell them on the idea that camel milk could be a new and sustainable source of income.

Abdul-Wahab struck an exclusive deal with seven Amish farmers in Colorado, Michigan, Ohio, Missouri, Pennsylvania, and Texas. Building the relationships was not an easy task. With the Amish’s strong stance against technology, it was difficult to sustain communication. “A firm handshake was all I had as a guarantee of a deal,” he said. Because Abdul-Wahab is Muslim, he said he could connect with the Amish on the basis of being judged by his religious beliefs. He pays the farmers for their labor and for the milk itself (eighty dollars per gallon), and provides all the machinery and supplies to milk the animals and bottle the milk.

While Abdul-Wahab spends much of his time arguing with the U.S. Food and Drug Administration—who many times have raided the camel farms he works with—he and his team (“me, the farmers, and the camels”) have managed to get seventy Whole Foods stores across five states to stock pasteurized camel milk. Desert Farms also distributes raw camel milk through small mom-and-pop shops across the United States.

It was this goal—getting camel milk into Whole Foods—that he had in the back of his mind when he started developing his business. We asked whether he feels like a success now. In his quiet yet expressive voice, he gives a resounding no. His parents were Palestinian refugees who met while hiding in an apartment during the first Lebanon war. By the time his father was twenty-four years old, he had already made his first million. His father, along with Abdul-Wahab’s older brother, runs a family steel business, which supplies large government projects in Saudi Arabia. Abdul-Wahab tells us how his father jokes that he sent his son to one of America’s top business schools, and yet he ended up a farmer. In a family constantly urging him to craft a career in investment banking, Abdul-Wahab feels like a misfit, constantly trying to prove the virtue of his mission.

While Abdul-Wahab hit a hundred thousand dollars of turnover six months after establishing his operation, he still hopes to make much more of a splash in the drinks industry. The market for alternatives to cow’s milk (soy, almond, rice, coconut) has grown by 30 percent since 2011.1 At the same time, the consumption of cow’s milk has been in decline, from a per capita consumption of 273.8 pounds in 1970 to 198.8 in 2012.2 Camel milk can, according to Abdul-Wahab, join the ranks of the billion-dollar American dairy alternatives industry.

SAM HOSTETLER AND WALID ABDUL-WAHAB are, each in his own way, misfits, forging a path in the unconventional world of camel milk trading. And yet, from these misfits, we can learn much about ingenuity, about determination, about the innate human itch to create, build, and exploit an opportunity.

By definition, a misfit is “a person whose behavior or attitude sets them apart from others in an uncomfortably conspicuous way.”3 While some misfits—like Sam and Walid—are merely unconventional, many others are branded as outsiders—swindlers, rogues, scavengers, vagrants, gangsters, hackers, and hermits—and are frequently met with skepticism and suspicion. Yet across the globe, in small towns and large cities, there are misfits operating more creatively than some of the world’s biggest companies, developing solutions to challenges that traditional businesses can’t touch.

The characters you will read about in this book are found on pirate ships. They’re found in gangs and within hacker collectives. They’re in the crowded streets of Shenzhen, the prisons of Somalia, the flooded coastal towns of Thailand. Resourceful and creative, loyal and wily, they are slum dwellers, dissidents, and outlaws.

Call it the gray market, the black market, the informal economy. Or shadow markets or the makeshift economy. We call it the Misfit Economy. Whatever the term, misfit innovators inhabit a different world—a world that, by conventional wisdom, should have nothing to do with traditional businesses and mainstream markets. However, far from being deviants who pose a threat to our social and economic stability, these entrepreneurial misfits are pioneering new ways of thinking and operating, establishing new best practices that we all can learn from and apply to formal markets.

This book investigates the true stories of underground innovation and distills five key principles unique to the Misfit Economy. These stories and principles are based on our original research, which began in 2011 with a focus on social entrepreneurs and innovators in the informal economy, but soon expanded to include the black market and artistic and activist communities, as well as insider misfits working to transform some of our most established institutions. After sourcing more than five thousand case studies, we narrowed our selection to a top thirty that we decided to explore in more depth.

Our aim was to bring attention to misfits operating within diverse geographies across the globe, fields of practice (the arts, technology, activism, black and informal markets), and time periods (we sought out stories of both contemporary and historic misfits). In addition to diversity, the top thirty cases had to meet criteria of originality. These misfits had to pioneer an unusual, creative, or alternative way of working. They had to be innovating. And that innovation had to lead to some kind of disruption—to the transformation of an attitude, norm, or organizational practice.

The more we probed these misfit economies, the more we learned that the underground and informal economies can be plagued by the same level of conformity one finds in the mainstream economy. Working for a Mexican drug cartel can be a lot like working for Exxon: You are subjected to a hierarchical command-and-control system. That’s why the innovation angle became our knockout test for selecting the stories in this book. To make the cut, these misfits couldn’t be just outsiders; they had to be innovative and disruptive outsiders.

TAKE SOMALI PIRATES. THEIR STORY is not just one of theft, it is a story of transformation: from a small, local, and informal industry to a large, international, and sophisticated business that has not only appeared in media across the world but also driven the development of a counter-piracy industry. It is also a story of opportunity or, rather, a story of how you build a market opportunity where one does not seem to exist.

Piracy first arose in Somalia in the early 1990s, as a response to foreign ships illegally fishing in Somalia’s waters. The country had recently experienced a collapse of its government, and its navy and coastal police were unable to effectively repel this illegal fishing. Faced with diminished fishing stocks, an economy in turmoil, and an inability to find alternative employment, some fishermen turned to attacking foreign fishing vessels.

In these early days, piracy in Somalia was a relatively informal and unsophisticated business. A former pirate whom we spoke to, Abdi (no surname given), attested to this. He told us that he and his friends attacked foreign trawlers in their fishing skiffs in Hafun, a coastal town in northeastern Somalia. Abdi built the group with friends and family from his clan, splitting the spoils according to how much each person invested.

These original pirates—the aggrieved fishermen—were, in essence, hustlers. They had noticed that valuable cargo was crossing their shores; struggling with low fishing stock, they spotted a chance to gain income in a different, albeit illegal, way. Their country was in economic and social disarray, their livelihoods threatened by the foreign trawlers illegally encroaching on their waters.

Instead of accepting this destiny, these individuals took matters into their own hands. They did not sit back and wait for the government to improve things. They did not just continue to fish with ever-decreasing success. Rather, they recognized an opportunity and seized it. They had limited resources—just an idea and fishing boats—but driven by scarcity and the desire for income, they sowed the seeds of what would evolve into a lucrative and sophisticated criminal movement.

From its informal beginning, piracy in Somalia evolved rapidly, gaining major international attention in 2008 with the capture of the Ukrainian ship MV Faina. The ship, which was carrying military cargo—grenade launchers and tanks—was released by the pirates after they received $3.5 million in ransom money. The operation was a professional one and an illustration of how piracy in Somalia would develop.

The MV Faina was hijacked by a group of pirates led by a man who goes by the name of Afweyne (which translates to “Big Mouth”). Afweyne had founded the Somali Marines—a group of highly trained pirates—after searching and finding investors to turn what was an opportunistic, disorganized operation into a functioning, plan-driven business. Afweyne’s group was well organized, working very much as a military operation would, with a leadership hierarchy delineating admirals, vice admirals, and lieutenants.

Many credit Afweyne with being one of the key figures responsible for transforming Somali piracy from a scrappy, self-funded force into a well-invested, transnational multimillion-dollar industry. The spoils of piracy would soon after be traced as far as India and Dubai, with ransom money reinvested in equipment and training but also put toward the development of the khat drug trade (khat is a narcotic plant popular in Somalia).

For pirates such as Afweyne, the use of mother ships (usually fishing dhows) distinguished their attacks from those of the less sophisticated, earlier generations of a pirate mission. Setting their base in the ocean via these mother ships, rather than on the shore, allowed the professional groups to extend their reach into the high seas, way beyond local waters, enabling them to target bigger cargo ships.

Some pirates we spoke with told us how, using these mother ships, they would head out to shipping lanes, waiting to spot a vessel, and then launch an opportunistic attack with a two-, sometimes three-skiff team. Once the pirates take control of the ship, they steer it to shore, where a negotiator engages with the shipping company and others to agree on a ransom payment. While the negotiation is ongoing, a local economy serves the hostages and the pirates, providing them with food, water, and khat. Pirate gangs also employ lawyers, pimps to service gangs with prostitutes, and banknote checkers who use machines to detect fake money.

Another pirate whom we spoke with, Abdi Hasan, described a similar strategy of attack, speaking of an operation that was even more organized. Unlike the pirate crews who would simply head out to shipping lanes, waiting to launch an opportunistic attack on a passing vessel, his organization had been guided by someone who resides abroad—“probably Dubai,” our fixer interjected—who would provide the location of the suitable target ship. He and others spoke of how pirates tended to target slower and undermanned ships that had low freeboards (for easier boarding); and they preferred to attack at dusk, when visibility was low. Hasan told us that he and other foot soldiers would get paid regardless of the result of the attack: if the ship was captured and a ransom was appropriated, the pirates received higher compensation; if it wasn’t, less.

It has been reported that in the case of a successful mission, pirates receive between $30,000 and $75,000 each, and that the first pirate to board a ship—and those who bring their own weapon or ladder—receive a $10,000 bonus.4 They can chew khat and eat and drink on credit, which is then deducted from their share of the ransom when it is received. These sorts of operations may require $30,000 of financing, usually provided by fishermen, former pirates, ex-police and military officials, and khat dealers, who take between 30 and 75 percent of the spoils.5

This difference in strategy—from waiting and attacking a passing target to knowing exactly where it sits and then heading out—is reflective of the shift in business model: from a local cottage industry to a commercial business with international support, driven by a group of innovators (the business leaders, the financiers, the pirates themselves) who were able to adapt their business according to its potential for growth.

Somali piracy seeped its way into international attention because its successes were frequent, far-reaching (well beyond Somalia’s territorial waters), and lucrative. A November 2013 report by the World Bank, Interpol, and the United Nations stated that, since the first known hijacking in April 2005, up to $385 million U.S. had been claimed as ransom money for 179 hijacked ships.

The phenomenon has also increased the cost of trade, causing an estimated $18 billion U.S. expense to the world economy. International navies have naturally ramped up their presence in the region in an attempt to thwart the threat, though pirates have been innovative in their responses to greater and more concerted efforts to catch them. Each pirate we spoke to told how they upgraded to faster skiffs, improved their methods of communication—stocking up on satellite phones—and carried heavier weaponry to break through safety rooms in ships.

WHILE SOMALI PIRATES HAVE GAINED widespread international attention, many misfits—such as smugglers, waste pickers, or camel milk traders—are under the radar, operating in the shadows with great stealth. They represent the ingenuity of the underground. And so this book asks: Who are these unknown hustlers? How do they work? How do they organize themselves? How do they catalyze innovation? What challenges do they face? And—most important—what can we learn from them?

A caveat before we continue: While there is undoubtedly a dark side to some of the innovation, this book is not intended as an endorsement of criminal activity. We are aware that arms traders deliver weapons that fuel genocides. Drug cartels encourage debilitating addiction. Human traffickers continue to maintain reprehensible slave and sex trade across the globe. We are not attempting to glorify the immorality of these actions.

Rather, the argument we make is simple: The free market economy does not possess a monopoly on innovation. While many great innovation practices have been and will be distilled from the Googles, eBays, and Toyotas of the world, our research has revealed that not only has underground innovation been overlooked as a significant driver of the economy, but it also offers its own unique and valuable insights.

While other innovation-related books rightly chronicle the creativity and ingenuity of fast-moving start-ups, corporate strategy, and visionary CEOs, this book goes outside the conventional scope to show a broader view of the world economy. Formal markets are only one part of the whole. We will make visible some portion of the rest.

Most helpful customer reviews

7 of 7 people found the following review helpful.
While this book is good, it fell short of my expectations
By Adam E.
While this book is good, it fell short of my expectations. I was interested in reading about the innovations of a larger swath of deviants who are often neglected by society. And I did enjoy reading about the entrepreneurial attributes of the Somalian pilots, criminal offenders, and gang leaders. However, I was a bit disappointed that the authors framed the misfit economy through the values and social norms of conventional society. The book seemed to eventually skew towards portraying stories of the typical Ivy League graduate/corporate shill who decided to get a bit edgy. There are already a ton of books/news articles glorifying the rebel businessman, so I was a bit bored by these stories.

I also would have been more interested in learning about the practices of "misfits" who aren't on some sort of moralistic quest that we can easily identify as beneficial. I think the book would have been far more intriguing if the authors allowed the readers to wrestle with areas of moral ambiguity rather than attempting to shape every profile to meet society's expectations of morality. I give the book a three because I think these missed opportunities reduced the originality of this work, making this book similar to anything written by Gladwell or any CSR puff piece from corporate America.

8 of 9 people found the following review helpful.
Could have been MUCH better
By Owen
Let me first start off by saying that I completely agree with the concepts presented within this book. In the world we live in today, especially in the realm of business and entrepreneurship, it pays to be a misfit, to be different from the pack. I also agree with the presentation of non-unicorn businesses and entrepreneurs. In other words, not nearly as well known nor as affluent. Makes it feel truly attainable by the common person. Each of the anecdotes presented a unique character and they certainly didn't fit the mold. The skeleton was there, it was a great structure for expansion and for plenty of insight to be gained.

But after completing it, that isn't quite what I got. For the most part, it seemed like a series of bland stories that were either too vague to really push the point, or just were too in unnecessarily in-depth in areas that didn't pertain to the focus of the book. There was very little "good" meat on the bones, and it was honestly disappointing. I would've preferred some more legitimate lessons in creativity. Within the title of the book is "lessons in creativity," and despite the very interesting people and their stories, I really don't feel like I learned any lessons, or at least anything groundbreaking for that matter. Instead of just throwing out these stories, I would've liked some more application. How can we use what these people did/know to succeed in our businesses? I get that there is inference there, but the points should've been explicit.

Overall, could've been better. I wasn't too thrilled by it. If you want some real, applicable information, this might not be the book to buy. If you are looking for some stories about some very interesting people and their businesses, then pick it up.

1 of 1 people found the following review helpful.
Too much cliche, not enough meat.
By Raphael Gang
While there are some interesting insights around flat organizations being succesful, the book mostly reads as a series of random stories that are cherry picked by the authors and don't provide much insight into anything. I did like the early section of the book which explained how intellectual property and those working outside traditional legal frameworks can often be the ones most likely to push innovation forward. I wish it had been the focus of the book rather than many or the other stories.

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Saturday, February 2, 2013

[L337.Ebook] Download PDF Managing Organizational Behavior: What Great Managers Know and Do, by Timothy Baldwin, Bill Bommer, Robert Rubin

Download PDF Managing Organizational Behavior: What Great Managers Know and Do, by Timothy Baldwin, Bill Bommer, Robert Rubin

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Managing Organizational Behavior:  What Great Managers Know and Do, by Timothy Baldwin, Bill Bommer, Robert Rubin

Managing Organizational Behavior: What Great Managers Know and Do, by Timothy Baldwin, Bill Bommer, Robert Rubin



Managing Organizational Behavior:  What Great Managers Know and Do, by Timothy Baldwin, Bill Bommer, Robert Rubin

Download PDF Managing Organizational Behavior: What Great Managers Know and Do, by Timothy Baldwin, Bill Bommer, Robert Rubin

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Managing Organizational Behavior:  What Great Managers Know and Do, by Timothy Baldwin, Bill Bommer, Robert Rubin

Managing Organizational Behavior by Baldwin/Bommer/Rubin distinguishes itself from other OB texts by taking a carefully-balanced approach to OB. It covers all traditional OB topics but in a decision-oriented, not just descriptive, way. It embraces the best OB models and evidence but engages students in how to use those models to improve their skill-sets and more successfully navigate organizational life. It is expressly designed to reconcile student demands for relevance and application with instructor interests in rigor, evidence and appropriate coverage of the discipline. Its student-centric materials provide students with relevant cutting-edge research and applications through extensive case studies, Manage What? situations, and practical Tool Kits that bring OB and career success to real life.

  • Sales Rank: #189898 in Books
  • Brand: Brand: McGraw-Hill/Irwin
  • Published on: 2012-01-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.80" h x .90" w x 8.50" l, 2.65 pounds
  • Binding: Paperback
  • 624 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

1 of 1 people found the following review helpful.
Very Good
By Amazon Customer
I had this as a text book for my management organizational behavior course during my MBA studies. It is a very good book and something that you would want to keep it in your personal library for future references. The book has a lot of real world references which is very helpful in understanding the various behavior theories.

1 of 1 people found the following review helpful.
did not recieve access code
By Allison
a new book should come with an access code you can use for class...my book did not come with one

0 of 0 people found the following review helpful.
Decent book, but distracting
By MineBatGirl
Great book with lots of good advice in it if you actually read it, but it has so much stuff in colored boxes around the main text that it's somewhat distracting. It's still a decent book to have around, so I'll keep it, but keep in mind that it's harder to read than it should be with all the peripheral texts.

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Thursday, January 31, 2013

[X889.Ebook] Ebook Download The Classical Style: Haydn, Mozart, Beethoven (Expanded Edition), by Charles Rosen

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The Classical Style: Haydn, Mozart, Beethoven (Expanded Edition), by Charles Rosen

The Classical Style: Haydn, Mozart, Beethoven (Expanded Edition), by Charles Rosen



The Classical Style: Haydn, Mozart, Beethoven (Expanded Edition), by Charles Rosen

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The Classical Style: Haydn, Mozart, Beethoven (Expanded Edition), by Charles Rosen

A greatly expanded edition of the National Book Award-winning masterpiece by a world-class pianist and writer on music.

This outstanding book treating the three most beloved composers of the Vienna School is basic to any study of Classical-era music. Drawing on his rich experience and intimate familiarity with the works of these giants, Charles Rosen presents his keen insights in clear and persuasive language. For this expanded edition, now available in paperback for the first time, Rosen has provided a new, 64-page chapter on the later years of Beethoven and the musical conventions he inherited from Haydn and Mozart. The author has also written an extensive new preface in which he responds to other writers who have commented on his ideas.

  • Sales Rank: #191274 in Books
  • Color: Multicolor
  • Published on: 1998-01-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.30" h x 1.10" w x 6.20" l, 1.59 pounds
  • Binding: Paperback
  • 560 pages

Amazon.com Review
The Classical Style: Haydn, Mozart, Beethoven is a revised and enlarged version of Charles Rosen's landmark 1970 work on the compositions of the trio of musical geniuses who formed the Viennese Classical School and forever changed the face of music. Along with clarifications, expansions, and new insights into the composers and their music, the book has been enriched by the addition of a compact disc containing two of the Beethoven piano sonatas of which the author writes. Rosen's books are always shot through with musical examples, so you'll get a great deal more out of this one if you can read music. The Classical Style is a brilliant book, composed by a genuine artist, sometimes provocative, but never sloppy in its thinking.

From Library Journal
The first edition of this book won the 1972 National Book Award and remained available in paperback for more than two decades. For this edition, Rosen adds a 14-page preface answering some of his friendly critics and a 26-page essay on Beethoven?which includes 44 musical examples, not seen?that emphasizes the composer's indebtedness to Haydn and Mozart. Otherwise, the text of the original edition remains unchanged. A CD (not heard) of Rosen playing two Beethoven piano sonatas (opp. 106 and 110) is also included. Libraries successful in keeping together the book and CD of Rosen's Romantic Generation (LJ 4/1/95) may want to attempt the same with this set, but once the CD is lost, the price seems high for only two new essays if the older edition is still serviceable.?Bonnie Jo Dopp, Univ. of Maryland Lib., College Park
Copyright 1997 Reed Business Information, Inc.

Review
A profoundly perceptive study. -- Times Literary Supplement

Brilliant and epoch-making. -- Stanley Sadie, editor of The New Grove Dictionary of Music and Musicians

Most helpful customer reviews

25 of 26 people found the following review helpful.
Insights that will last a lifetime
By David J. Friedlander
Rosen's The Classical Style is my favorite book all-time on classical music in general, and Mozart, Beethoven and Haydn in detail. There are other books about these great composers that I love and cherish, but this one is the most intellectually stimulating. It is full of those rare insights that have total impact on my thinking. There are gems in its pages that will enrich your understanding profoundly.

The book is laid out in topics that either address a certain type of piece, a certain period of time and a particular composer. For example, a chapter would be "Haydn before the death of Mozart." Or "Piano concerto". Or "Haydn after the death of Mozart". Or "Piano Trio". Each chapter shows who was best at a certain type of work, why they were the best and then he gives specific musical examples to bolster his arguments. Of course in the process of doing this, Rosen greatly expands your understanding of every topic he covers.

While there are many printed musical examples, it is really better if you are familiar with the pieces in the examples. If you are a proficient music reader, especially on piano, you can probably do pretty well without knowing the music but chances are those two skills aren't mutually exclusive and if you do one, you've probably done the other. In any case, this is a serious book that requires serious work by the reader. You will get out of the book a direct proportion to how much listening and thinking you are willing to do. If you want to seriously learn about the classical period and the elements of music that grew out of that period, this book will help you do that.

If you think that by buying and reading this book you will learn everything there is to know about the classical period, you might be disappointed. How? Well, if you don't know the music from that period and you can't read music, this will leave you seriously lost. In other words, you need some background or you will need to do some serious listening to really get the jewels out of this book. If this sounds elitist to you, you are right. Yet it is done with the purpose of keeping you from wasting your money. So make sure you have some background or are willing to do some work if you expect to get the best this book has to offer.

So, if you have some background in classical music and you want to sharpen your understanding of the period, I think this is easily one of the best books out there for that purpose. The more listening you do, the more you will get out of this great book. Rosen isn't the easiest read but he is brillant and writes like a very brilliant person talks. The sentences are compound and sometimes require you to hold more than one thought for the span of many paragraphs. If you stay with Rosen's prose and read with care though, you will have many "aha" moments and increase your understanding of the elements of the classical period manyfold.

I found this book not only an absorbing read and a top flight textbook, it is a reference book as well. I refer to it from time to time and it solidifies my understanding everytime I visit its pages. It helped me understand Haydn's wit and genius as well as his growth as an artist. It turned me on to his wonderful Piano Trios to go with his great String Quartets and Symphonies. It helped me understand Mozart's gifts in opera and his astonishing String Quintets. It also gave me a much greater understanding and appreciation of his great Piano Concerti, which I already loved to a great degree. Somehow he refreshed my joy in those works and that alone made the book greatly worthwhile. He opened my eyes to Beethoven's originality and rekindled my enjoyment of his music. Most of all, it always enhances my understanding and enjoyment of the musical works being discussed. So many times it has inspired me to fire up the stereo and put actual sounds what I've just read. In the end, satisfaction is greatly increased and you actually feel smarter!

Rosen is a rare intellect who has written strikingly original and highly valuable books on classical music. This particular book is his pinnacle and belongs in the library of any serious student of the classical period, or anyone who appreciates classical music and would like to sharpen their understanding of the finer elements of one of the greatest pinnacles of Western culture.

4 of 4 people found the following review helpful.
As Good as they Say
By Gendun
In The Classical Style Charles Rosen does a marvelous job characterizing the music epitomized by Haydn, Mozart, and Beethoven.

Of all the formal principles that have defined any period, the elements of classical style are perhaps most amenable to formal analysis. The classical period is principally characterized by sonata form and tonality. We can agree with Sir Donald Tovey that we do violence to compositions by interpreting them as if sonata form constitutes a set of binding rules rather than a post-facto abstraction of what the masters of the classical period actually did. Nonetheless, the principles of tonality may be expressed with an intellectual clarity which is more elusive when characterizing, say, a canon or polyphonic mass.

This is a reflection of the ideals of the classical period, whose audiences delighted in elegance and structural economy. Classical composers highlighted the structural contours defining works by emphasizing modulation and calling attention sectional boundaries with an intensified emphasis cadence. Elegance of structure was taken by the classical masters as an end in itself, and their harmonies glide on a framework they trace and enact. That is in itself a large part of the game of classical composition.

An understanding of the classical period is not only relatively easy to acquire, but of central importance to understanding nearly all subsequent composition. With the arguable exceptions of minimalism and some wings of the avant garde, nearly every important composition in the Occident since Haydn is either tonal or a reaction against tonality. Tonal harmony is the very foundation of our music theory to this day, and understanding its history and development can open up a deeper understanding of everything from Verdi to Schoenberg to Robert Johnson to Kylie Minogue.

Rosen makes all of this remarkably evident and comprehensible in dazzling prose that astonishes the reader with his insight on every page. I'm not a musicologist and browsed through a lot of the close passage analysis that comprises a big chunk of the book, but I still got my money's worth many times over.

4 of 4 people found the following review helpful.
Greatness
By toronto
This is one of the greatest books ever written. It was my introduction to the structure of classical music, and without it that whole world would have remained opaque to me. I read it first without any music theory at all, but it explains how musical structure works, so I was driven to learn some music theory to keep up. But you need so little that it is hardly a big challenge. Who knew that the basics of music theory were so simple? Then I read it again, and it was twice as good. Then I decided to learn to play an instrument so I could make more sense of it. Then I read it again, and it was twice as good once more. As one other reviewer said, it is a book to read and reread; and it is so clearly written.

His other book "The Romantic Generation" has some very beautiful chapters (the first few especially), but I got bogged down in it -- it gets too technical for mere mortals. But someday I might have another go at it. "The Classical Style" is not like that, a masterpiece of exposition from beginning to end.

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